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Thursday 1 May 2014

Natural Effect in the Permanent Malke Up for Lips



Natural Effect in the Permanent Malke Up for Lips



   For producing a natural effect an artist should not change the lip shape considerably, especially if the lips are pretty pronounced, because the pigment is inside the skin and the border of a natural shape will be visible, especially when direct rays fall on it. Such variant is more suitable for a client who wants enhance the lips with the help of permanent make-up. An artist should pay attention to the central part of the upper lip, a so- called Cupid’s bow. A precisely outlined and corresponding to the philtral columns proves the lip youth. But it is possible to restore the lip youth, suffice it to accentuate this area with a fine line using white pigment. 

   By the way, white pigment is useful not only to the lip contour, but also for the bottom of wrinkles, which smoothes them out.


Quite often the clients ask to round the upper lip and thus enhance it. On the one hand, it visually makes the face look younger, because one of the first signs of lip aging is diminution of the lateral angle volume. 

  On the other hand, with

aging the mouth corners tend to go down and fold. Excessively round shape might only accentuate them. In order not to produce such an effect an artist can raise the mouth corners drawing them higher that the natural are. The upper lip in this case will remind of the arch shape. 

 To define position of the mouth corners cosmetologists have chosen Mona Lisa classification (presentation of dermatovenereologist Anastasia Sibel’s new Bilatero filler for contours plastic surgery of lips “Lips: anatomy and aesthetic classification for Merz company). Horizontal position has been called Mona Lisa o, raised corners – Mona Lisa+, lowered corners – Mona Lisa-. The most good-looking variant is Mona Lisa+, which allows the woman look young and accentuate her positive emotional state. 



You can find  a lot more of useful info, videos and photos at my Luxury Permanent Make up by Anna Savina page 
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